![]() Musical Style Part II The Middle Ages And Renaissance Performer Box: Andrew Parrott 1. 7 in E Flat from Twelve Contradances for Orchestra, by Ludwig van Beethoven LISTENING OUTLINE Listening for Form 10. Musical Form Techniques That Create Musical Form Repetition Contrast Variation Types of Musical Form Three-Part (Ternary) Form: A B A Dance of the Reed PipesfromNutcracker Suite, by Peter Ilyich Tchaikovsky LISTENING OUTLINE Two-Part (Binary) Form: A B Contradance No. Musical Texture Monophonic Texture Polyphonic Texture Homophonic Texture Changes of Texture FarandolefromL'Arlesienne (The Woman from Arles)Suite No.2, by Georges Bizet LISTENING OUTLINE 9. Key The Major Scale The Minor Scale The Key Signature The Chromatic Scale Modulation: Change of Key Tonic Key 8. 28, No.4, by Frederic Chopin LISTENING OUTLINE PERFORMANCE PERSPECTIVE: Pianist Roger Kamien playing Chopin's Prelude in E Minor 7. ![]() ![]() Harmony Consonance and Dissonance The Triad Broken Chords (Arpegios) Prelude in E Minor for Piano, Op. Music Notation Notating Pitch Notating Rhythm Notating Silence (Rests) Notating Meter The Score 5. Rhythm Beat Meter Accent and Syncopation Tempo 4. Performing Media: Voices and Instruments Voices Musical Instruments String Instruments Woodwind Instruments Brass Instruments Percussion Instruments Keyboard Instruments Electronic Instruments The Young Person's Guide to the Orchestra,Op.34, by Benjamin Britten LISTENING OUTLINE 3. Sound: Pitch, Dynamics, and Tone Color Pitch: Highness or Lowness of Sound Dynamics Tone Color Listening Outlines, Vocal Music Guides, and the Properties of Sound The Firebird, Scene 2 by Igor StravinskyLISTENING OUTLINE C-Jam Blues, by Duke Ellington and His Famous Orchestra LISTENING OUTLINE 2. Preface Part I Elements Performer Box: Roger Kamien's performance of Chopin's Prelude in E Minor 1. This edition moves most of the content of the companion multi-media CD-ROM to the Online Learning Center providing open access for all students to the many activities and video instrument demonstrations. Musical notation is included but is not required to understand the popular listening guides featured in the text, which focus students' attention on musical events as they unfold. ![]() It is organized chronologically, but individual sections can be addressed in any order, for a variety of teaching approaches. This best-selling textbook introduces students to perceptive listening and provides an engaging introduction to musical elements, forms, and stylistic periods. His unique combination of artistic and teaching skills makes "Music: An Appreciation, " Brief Edition an invaluable tool for students wanting to learn more about music. Whether from a concert stage or at the front of a classroom, Roger Kamien knows how to reach an audience-blending intelligence and passion to lift music from the page and bring it to life. ![]()
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